Sarah Hall is an acclaimed British author known primarily for literary fiction. Her novels, including The Electric Michelangelo and How to Paint a Dead Man, explore complex characters and vivid themes with originality and emotional depth.
If you enjoy reading books by Sarah Hall then you might also like the following authors:
Daisy Johnson's writing often explores the mysterious connections between people, nature, and place. Her prose is atmospheric and slightly unsettling, full of evocative imagery and emotional intensity.
In her novel Everything Under, Johnson weaves myth into a contemporary story about family secrets, memory, and identity. Readers captivated by Sarah Hall's lyrical style and layered storytelling should definitely give her work a try.
Megan Hunter creates concise, poetic novels that feel both powerful and haunting. Her themes often revolve around motherhood, climate catastrophe, and resilience.
Her strikingly beautiful novella The End We Start From follows a mother's journey through flooded landscapes and human endurance. Fans of Sarah Hall's thoughtful, poetic voice and exploration of crisis and adaptation will find Hunter's work deeply moving.
Evie Wyld writes stark, emotionally resonant stories rooted in the complex relationships between past trauma and present behavior. Her novels often include atmosphere-heavy narratives set in isolated, rural environments, where characters must confront their difficult pasts.
Her novel All the Birds, Singing is a haunting and powerful story about isolation, violence, and redemption. If you love how Sarah Hall explores the impact of environment and history on character psychology, Wyld's distinct storytelling will draw you in.
Jesmyn Ward writes beautifully crafted novels deeply rooted in place, often focusing on family, resilience, and the painful realities of race and class in contemporary America. Her prose feels intimate and powerful as she portrays complex, unforgettable characters.
Her novel Sing, Unburied, Sing combines family drama with elements of magical realism to painfully illuminate generational struggles and redemption. Those who appreciate Sarah Hall's evocative descriptions and attention to social concerns will connect deeply with Ward's writing.
Max Porter offers experimental yet profoundly emotional stories that blur traditional genres. His poetic, lyrical style mixes realism with elements of folklore and surrealism, allowing grief, loss, and healing to resonate deeply.
His debut, Grief is the Thing with Feathers, pairs poetic prose with a powerful exploration of mourning and family relationships through the lens of myth and magical realism.
Readers moved by Sarah Hall’s inventive approach to storytelling and attention to emotional depth will find Porter's writing profoundly rewarding.
Sophie Mackintosh creates haunting stories centered around isolation, identity, and eerie dystopian worlds. Her writing is spare yet powerful, building quiet tension beneath the surface.
Try her novel The Water Cure, a strange and unsettling tale about sisters hidden away on an isolated island, facing unexpected danger.
Eimear McBride is known for emotional depth and experimental, fragmented prose. Her writing explores troubling family situations, trauma, and self-discovery through intensely personal narratives.
Her first novel, A Girl is a Half-formed Thing, draws readers directly into the chaotic inner world of a young woman struggling with loss and abuse.
Samantha Schweblin crafts unsettling fiction that blurs reality and fantasy in unexpected ways. Her style is precise and tense, with stories often set in unsettling, dreamlike worlds.
Check out Fever Dream, a short, tightly written novel about illness, fear, and maternal anxiety, with a surreal twist.
Cynan Jones writes quiet yet powerful books about nature, rural life, and human connection to the land. His prose is minimalistic and evocative, balancing beauty with underlying tension.
The Dig offers a vivid exploration of two men whose paths cross unexpectedly in the isolated Welsh countryside.
Ali Smith combines thoughtful narratives and playful experimentation in her novels. Frequently shifting perspective and playing with language, she explores contemporary social issues and human connections.
Autumn, the first book in her seasonal quartet, blends personal stories with wider reflections on politics, art, and friendship in the modern world.
Jeanette Winterson writes fiction that explores identity, gender, love, and the boundaries of reality. Her style often blends poetic language with thought-provoking ideas, as seen in her novel Oranges Are Not the Only Fruit.
If you appreciate Sarah Hall's exploration of complex characters and themes, Winterson's bold storytelling will resonate with you.
Melissa Broder mixes dark humor with unsettling, introspective narratives. Her fiction examines desire, loneliness, and emotional chaos in a raw and honest way.
In her novel The Pisces, Broder captures the strange and surreal aspects of human relationships, similar to the emotional depth you'd find in Sarah Hall's writing.
Sarah Moss excels at atmospheric storytelling and deep character studies. Her novel Ghost Wall explores history, violence, and family dynamics with precision and suspense.
Fans of Sarah Hall will find Moss's sharp insight into human nature and tense narratives especially appealing.
Andrew Michael Hurley's fiction often has a folk-horror feel, steeped in moody landscapes and eerie atmospheres. His novel The Loney combines local myths, unsettling scenery, and psychological tension.
If you're drawn to the atmospheric and unsettling elements of Sarah Hall's writing, give Andrew Michael Hurley's stories a try.
Ian McEwan is known for psychological insight, crisp prose, and intense ethical questions. His novel Atonement examines guilt, imagination, and the complexities of human emotion.
Like Sarah Hall, McEwan's work invites readers to think deeply about moral dilemmas and the human condition.