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A Selection of Novels Set in Japan

Shōgun — by James Clavell

Published in 1975, “Shōgun” is an epic historical novel by James Clavell that explores the intricate power struggles and culture of feudal Japan.

The narrative follows English navigator John Blackthorne, who becomes a pawn in the deadly political games of Lord Toranaga, a clever daimyō vying to become Shogun - the supreme military leader.

As Blackthorne is assimilated into Japanese society and takes on the name 'Anjin-san', he is forced to navigate the treacherous waters of diplomacy, honor, and romance in a land utterly foreign to him.

“Shōgun” is a vivid, sprawling tale that immerses readers in the complexities of Japanese culture and history.

Gai-Jin — by James Clavell

“Gai-Jin,” another historical novel by James Clavell, is a direct sequel to “Shōgun” set in 1862, when Japan was on the cusp of monumental change.

The country is reluctantly opening its ports to foreign traders, and the title, which means “foreigner” in Japanese, reflects the collision of East and West as traditions clash with modernization.

The story brings to life the tumultuous world experienced by the descendants of “Shōgun”'s John Blackthorne, highlighting the trials and tribulations they face in a Japan grappling with internal rebellion and external pressures.

Kokoro — by Sōseki Natsume

Natsume Sōseki’s “Kokoro,” meaning “heart” in Japanese, is a poignant novel that delves into themes of loneliness, friendship, and the generational gap in Meiji-era Japan.

Published in 1914, the story reflects on the life of a university student who befriends an enigmatic older man known as Sensei.

As their friendship deepens, Sensei’s tragic past and the reasons for his detached demeanor are unveiled, culminating in a dramatic exploration of trust, guilt, and the search for moral integrity in a rapidly changing society.

I Am a Cat — by Natsume Sōseki

In “I Am a Cat,” Natsume Sōseki employs satirical wit to deliver incisive commentary on Japanese society during the Meiji Period.

Narrated by an eloquent, unnamed feline, this novel from 1905 offers a cat’s-eye view of the lives and hypocrisies of middle-class Tokyo residents.

The intelligent cat humorously critiques human nature, revealing the pretensions and follies of the people it encounters.

Through this unique perspective, Sōseki delivers both humor and a deep understanding of human behavior.

The Old Capital — by Yasunari Kawabata

Nobel Prize winner Yasunari Kawabata’s “The Old Capital” is a captivating exploration of nostalgia and the beauty of impermanence.

Set against the backdrop of post-war Kyoto, the story follows Chieko, a young woman brought up by kimono designers, as she discovers the intricacies of her past and the cultural heritage of the ancient city.

Exploring themes of identity, tradition, and the fleeting nature of life, Kawabata interweaves the personal with the picturesque landscapes and customs of Kyoto, offering a delicate and introspective narrative.

Snow Country — by Yasunari Kawabata

Another of Kawabata’s masterpieces, “Snow Country,” transports readers to the stark, snow-covered region of western Japan.

The story centers on the tragic romance between Shimamura, a wealthy dilettante from Tokyo, and Komako, a provincial geisha bound by obligation and unattainable dreams.

Rich in symbolic landscapes and introspective character studies, this novel from 1937 beautifully grasps the essence of fleeting love, the loneliness of existence, and the haunting notion of mono no aware — the pathos of things.

The Makioka Sisters — by Jun’ichirō Tanizaki

Jun’ichirō Tanizaki’s “The Makioka Sisters” is an exquisitely detailed portrait of a once-prominent Osaka family struggling to maintain its social status in the years leading up to World War II.

The Makioka sisters must navigate the complexities of family honor, marriage, and the encroaching modern world, all while upholding the fading vestiges of traditional Japanese culture.

This 1948 novel offers profound insights into the changing fabric of Japanese society and the roles of women within it.

Naomi — by Jun’ichirō Tanizaki

“Naomi,” written by Tanizaki in 1924, is considered one of the most striking modernist Japanese novels.

It tells the story of a middle-aged man’s infatuation with a young, flirtatious, and headstrong girl named Naomi, whose Westernized attitudes challenge traditional Japanese notions of femininity and obedience.

The novel is as much a critique of the Westernization of Japan as it is a character study of obsession and manipulation.

Memoirs of a Geisha — by Arthur Golden

Published in 1997, “Memoirs of a Geisha” is a historical novel by Arthur Golden that became a worldwide bestseller.

Narrated by a fictional geisha named Sayuri, the story reveals the secretive world of the geiko of Gion, the geisha district of Kyoto, from the 1930s through the aftermath of World War II.

Golden provides an evocative portrayal of a young girl’s rise from a fishing village to a prominent geisha, navigating love, loss, and the struggle for independence amidst the rigid customs and hierarchies of the time.

Kitchen — by Banana Yoshimoto

Banana Yoshimoto’s “Kitchen,” published in 1988, is a touching exploration of love and loss, centered around the life of a young woman named Mikage Sakurai.

Faced with the death of her grandmother, Mikage finds solace in the kitchen and is taken in by a kind-hearted young man and his transgender mother.

The story is a soothing meditation on the healing power of food and cooking, as well as the nature of unconventional families and connections formed in the midst of grief.

A Pale View of Hills — by Kazuo Ishiguro

“A Pale View of Hills,” the debut novel by Nobel laureate Kazuo Ishiguro, was released in 1982.

It is a subtle and haunting narrative of memory and trauma.

The story unfolds as Etsuko, a Japanese woman living in England, reflects on her life in Nagasaki after the atomic bomb and the relationships she forsakes in the pursuit of a new identity.

Ishiguro explores the unresolved echoes of war and the complexities of motherhood and cultural displacement through a dreamlike and unreliable narrative.